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  • Paragone - Wikipedia
    Paragone (Italian: paragone, meaning comparison), was a debate during the Italian Renaissance in which painting and sculpture (and to a degree, architecture) were each championed as forms of art superior and distinct to each other [1]
  • The Paragone debate – Painting and Sculpture in the Renaissance . . .
    Christiane Hessler [2] tells us that on March 1547, the historian, poet and philologist Benedetto Varchi, held two lectures on the Paragone at the Accademia Fiorentina
  • Italian Renaissance Learning Resources - The National Gallery of Art
    The texts known as the Paragone today formed the opening part of the Codex vaticanus urbinas latinus 1270, which was compiled from Leonardo’s notebooks in the mid-sixteenth century
  • An Introduction to the Paragone | 1 | The Paragone in Nineteenth-Centu
    While artists did not take up the paragone in great numbers until the Italian Renaissance, its history began in antiquity For instance, in sixth-century Greece, Simonides of Ceos, according to both Cicero and Plutarch, became the first ancient writer to compare poetry and painting
  • Paragone - grokipedia. com
    The paragone debate, originating in the Italian Renaissance, centered on the question of which visual art form— painting or sculpture —more effectively imitates nature and engages the intellect, thereby elevating the status of the arts from craft to liberal pursuit
  • The paragone Debate: Ten Illustrations and a Comment - JSTOR
    The musician who can move an audience "with an instrument cit (note 17), refers to it as one of the three depictions of the paragone only, by means of dissonances and passionate musical accents" is known a to him
  • The Paragone and the Art of Michelangelo | The Sixteenth Century . . .
    The purpose of Renaissance debates about the relative merits of the arts, known as the paragone, was far from negligible Michelangelo himself only reluctantly took part in the debate over which art, painting or sculpture, was the superior
  • Paragone Explained
    Paragone (it|paragone, meaning comparison), was a debate during the Italian Renaissance in which painting and sculpture (and to a degree, architecture) were each championed as forms of art superior and distinct to each other [1]
  • Leonardo da Vincis Paragone - Brill
    Leonardo da Vinci's Paragone A Critical Interpretation with a New Edition of the Text in the Codex Urbinas Series: Brill's Studies in Intellectual History, Volume: 25 Author: Claire Farago
  • Leonardo da Vinci’s Paragone and I Fagiolini: Painting vs Music
    The performance highlights the irony of Paragone While Leonardo had asserted that music was inferior to visual art, the concert demonstrated that music, in fact, only served to enhance Leonardo’s oeuvre





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